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我们之间的星辰
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  七年前的日食事件中,金与一个陌生人建立了联系。如今已成为一名初出茅庐的新闻记者的金,回到伊利诺伊州参加今年的日食,却不知道他们的道路可能会再次交汇。
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约瑟夫·门格勒的消失
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本片聚焦臭名昭著的纳粹医生约瑟夫·门格勒的逃亡轨迹,从巴拉圭的藏身之所到最终遁入巴西丛林深处,再现这名"死亡天使"流亡南美的隐秘岁月。
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79岁的西班牙女子玛丽亚·安赫莱斯独自生活在摩洛哥的丹吉尔,享受着自己的日常生活。然而,当她女儿从马德里赶来,想要卖掉她一直居住的公寓时,她的生活彻底被打乱了。决心留下来的她,竭尽所能想要夺回自己的家与财物,却意外重拾了爱情与感官的愉悦。
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无法在你的脸上哭泣
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本片改编自同名小说,故事始于高一夏天,坂平陆(高桥海人 饰)与水村真奈美(芳根京子 饰)在泳池事故后灵魂互换。两人坚信能恢复原状,苦寻方法,然而15年过去,依旧未能换回。升学、初恋、就业、结婚、生子,...
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《芳心封鎖》剧情介绍

6080提供影视作品芳心封鎖高清全集在线观看的影视全集网,剧情片《芳心封鎖》全集作品的导演是Gilberto  Tofano   ,由Gila  Almagor  主演,芳心封鎖在豆瓣的评分为0.0,本片由小编于2024-11-01 11:33更新,希望大家喜欢,可以把《芳心封鎖》推荐给你朋友,本作品的地址为 https://www.zjhyjs.net.cn/movie/29952.html

《芳心封鎖》简介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

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